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Publication: College Music Journal (CMJ) [US]
Date: October 1995
Section:
Page Number(s):
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Title: "O{+> - The Gold Experience"
Reviewed By: Glen Sansone
Since 1990, most of the talk about the artist formerly known as Prince was
more often about his troubles with record labels, or of his personal
politics -- which caused him to turn himself into a little icon for the
computer generation -- rather than his actual records. Lost somewhere in
all the talk was an artist whose musical output wasn't making the headlines
like it once did (1994's Come was painfully mediocre), and his popularity
as the purple highness of funk was evaporating faster than water on a steam
pipe. As previous album's [sic] like Purple Rain and Sign O' The Times
validated Prince's genius, the Gold Experience will be the one to make that
little symbol shine as brightly as a thousand stars. This is the record
that does what his last four records didn't: get down and dirty in the
funk, not tip-toe through it. On the Gold Experience, the electric guitar
is no longer a glossy prop; he plays it sexy, blistering, sweetly ("Shhh"
and a remade mix of "The Most Beautiful Girl In The World"), and
accompanies it with the best songs he's written in years.
"Endorphinemachine" (also found on his CD-ROM) is probably as good as he's
been this decade, its monstrous, high-energy rock/funk raining over a
piercing hook, while the playful, layered melodies of "Dolphin" highlight
one of at least five radio-ready cuts. If you find the first single "Eye
Hate You" a little too drab, there are cuts like the subversive "P
Control," the electro-funk of "Billy Jack Bitch" and the warm,
beautifully-penned "Shy" that are absolute treasures. Prince the name may
be dead, but it's a pleasure to see that the artist formerly known as
Prince isn't ready for a death certificate just yet: He's finally waking
up.
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