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Publication: Minneapolis Star-Tribune [US]
Date: February 24, 1998
Section:
Page Number(s):
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Title: Crystal Ball Review
Reviewed By: Jon Bream
Disc of the week
PRINCE, "Crystal Ball" (NPG)
This "Crystal Ball" does not look into the future; it looks
backward. The multidisc set -- four CDs in stores, five via the
Internet/mail-order -- is mostly a collection of Prince outtakes
and leftovers, some of which have been heard in concert and
widely bootlegged. As usual, the music is funky and often fun
-- but most of it is for fanatics and completists only.
There are good reasons most of this stuff wasn't released.
Some tunes just didn't fit with the album Prince was working
on at the time; others are ideas or experiments that aren't fully
realized. The best part of the package -- it comes in a standard
square jewel box or in a clear plastic oversized hockey puck
(crystal ball, get it?) -- are the liner notes. Prince doesn't give
dates for any of the recordings but discusses details of the
sessions, what prompted the songs and who they were written
for. His comments -- both silly and serious -- afford insights
into his wacky world.
Disc 1 features lots of electro-funk; highlights are "So Dark," a
soulful Curtis Mayfield-like ballad, and "Movie Star," a silly
rap that would have been perfect for Morris Day, for whom it
was written. Disc 2 finds Prince on some wacked-out
excursions, including "Cloreen Bacon Skin," a rambling,
ad-libbed talking lyric over a James Brown groove, and "Good
Love," which sounds like the Jackson 5 gone psychedelic pop.
Disc 3 is the most vibrant, consistent and recently recorded of
the three so-called "bootleg" CDs, featuring the oft-performed
party jam "Days of Wild," the pining lite-funk "Last Heart" and
the heavenly romantic ballad "She Gave Her Angels."
Disc 4 is "The Truth," 1997's curious, mostly acoustic album
filled with songs about making choices and commentaries on
how screwed up the music business is. Disc 5 -- available only
through the Internet/mail order (1-800-NEW-FUNK) -- is
"Kamasutra," the music Prince composed for his 1996
wedding to Mayte. Of course, there's more in the vault where
this stuff came from.
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